Gain Structure — Input to Output
Gain structure optimizes signal levels at every stage to maximize dynamic range. Keeping signal above noise floor with headroom below clipping prevents the most common cause of noise and distortion in sound systems.
Dynamic Range
Every device: noise floor to clipping. Professional: 110-120 dB. Goal: center signal in this window at every stage.
Input Gain
Most critical. Peaks at -18 to -12 dBFS digital or 0 VU analog. 12-18 dB headroom. Too low amplifies noise. Too high clips preamp.
Unity Through Processing
EQ, dynamics, effects maintain unity gain. Verify output after each processor. Makeup gain restores level after compression.
Amplifier Sensitivity
Fixed input (0.775-1.4V). Mixer must drive to rated power near max amp gain. Low amp gain = degraded SNR.
Digital
Nominal -18 to -20 dBFS. Digital clipping harsh. Internal 32/64-bit float has unlimited headroom but analog I/O still needs staging.
Try It Now
Measure system noise floor