Gain Structure — Input to Output

Gain structure optimizes signal levels at every stage to maximize dynamic range. Keeping signal above noise floor with headroom below clipping prevents the most common cause of noise and distortion in sound systems.

AES-6id:2023IEC 60268-3:2018

Dynamic Range

Every device: noise floor to clipping. Professional: 110-120 dB. Goal: center signal in this window at every stage.

Input Gain

Most critical. Peaks at -18 to -12 dBFS digital or 0 VU analog. 12-18 dB headroom. Too low amplifies noise. Too high clips preamp.

Unity Through Processing

EQ, dynamics, effects maintain unity gain. Verify output after each processor. Makeup gain restores level after compression.

Amplifier Sensitivity

Fixed input (0.775-1.4V). Mixer must drive to rated power near max amp gain. Low amp gain = degraded SNR.

Digital

Nominal -18 to -20 dBFS. Digital clipping harsh. Internal 32/64-bit float has unlimited headroom but analog I/O still needs staging.

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